(from Spotify)
Kynsy understands the unique romance of isolation. The freedom of writing, arranging and producing her music has given the singer a sense of control and self sufficiency that has enabled her to focus on the minutiae of every song. The Dublin based artist has developed her own songwriting rules that have given her the ability to experiment, push her own boundaries and avoid being pigeonholed into any one genre. Her music moves from the metallic lurch of a nightclubbing Iggy Pop, the icy cool of St. Vincent to the futurism of Julian Casablancas’ solo output.
Taking her cue from classic songwriters such as Irving Berlin as well as the abstract puzzles within David Byrne’s lyrics and the detached nonchalance of Damon Albarn, there is a spirited wit to her songwriting that singles her out from her more earnest contemporaries. Her louche almost rakish delivery is half world-weary lounge singer, half astute soothsayer. Although there is no ironic posturing at play here, there is a deep sincerity to her words that belies the devil-may-care execution.
Her debut EP arrived in 2021 a few months after she featured in the NME 100 who praised the EP as, “a masterclass of channelling angst into disarming indie for a new generation.” Further attention came from The Irish Times; The Quietus who included the debut EP as the best new music of that month; glowing reviews from the likes of DIY, DORK and Clash, who called Kynsy’s first release “raw and breathtaking”.
Mae Kynsy yn deall rhamant unigryw unigrwydd. Mae’r rhyddid i ysgrifennu, trefnu a chynhyrchu ei cherddoriaeth wedi rhoi synnwyr o reolaeth a hunangynhaliaeth i’r gantores sydd wedi ei galluogi i ganolbwyntio ar funudau pob cân. Mae’r artist o Ddulyn wedi datblygu ei rheolau cyfansoddi caneuon ei hun sydd wedi rhoi’r gallu iddi arbrofi, gwthio ei ffiniau ei hun ac osgoi cael ei rhoi mewn colomennod i unrhyw un genre. Mae ei cherddoriaeth yn symud o lurch metelaidd noson clwb nos Iggy Pop, oerfel rhewllyd St. Vincent i ddyfodoliaeth allbwn unigol Julian Casablancas.
Gan gymryd ei hawgrym gan gyfansoddwyr caneuon clasurol fel Irving Berlin yn ogystal â’r posau haniaethol o fewn geiriau David Byrne ac anghydbwysedd datgysylltiedig Damon Albarn, mae ffraethineb ysbeidiol i’w chyfansoddiad caneuon sy’n ei chanu oddi wrth ei chyfoedion dyfal. Mae ei danfoniad louche bron yn rakish yn gantores lolfa hanner blino'r byd, yn hanner soothsayer craff. Er nad oes unrhyw osgo eironig ar waith yma, mae didwylledd dwfn i'w geiriau sy'n cuddio'r dienyddiad-mai-diafol.
Cyrhaeddodd ei EP cyntaf yn 2021 ychydig fisoedd ar ôl iddi ymddangos yn yr NME 100 a ganmolodd yr EP fel, “dosbarth meistr o sianelu angst i ddiarfogi indie ar gyfer cenhedlaeth newydd.” Daeth sylw pellach gan The Irish Times; Y Quietus a gynhwysodd yr EP cyntaf fel cerddoriaeth newydd orau’r mis hwnnw; adolygiadau disglair gan bobl fel DIY, DORK a Clash, a alwodd ryddhad cyntaf Kynsy yn “amrwd a syfrdanol”.
(from Spotify)
Kynsy understands the unique romance of isolation. The freedom of writing, arranging and producing her music has given the singer a sense of control and self sufficiency that has enabled her to focus on the minutiae of every song. The Dublin based artist has developed her own songwriting rules that have given her the ability to experiment, push her own boundaries and avoid being pigeonholed into any one genre. Her music moves from the metallic lurch of a nightclubbing Iggy Pop, the icy cool of St. Vincent to the futurism of Julian Casablancas’ solo output.
Taking her cue from classic songwriters such as Irving Berlin as well as the abstract puzzles within David Byrne’s lyrics and the detached nonchalance of Damon Albarn, there is a spirited wit to her songwriting that singles her out from her more earnest contemporaries. Her louche almost rakish delivery is half world-weary lounge singer, half astute soothsayer. Although there is no ironic posturing at play here, there is a deep sincerity to her words that belies the devil-may-care execution.
Her debut EP arrived in 2021 a few months after she featured in the NME 100 who praised the EP as, “a masterclass of channelling angst into disarming indie for a new generation.” Further attention came from The Irish Times; The Quietus who included the debut EP as the best new music of that month; glowing reviews from the likes of DIY, DORK and Clash, who called Kynsy’s first release “raw and breathtaking”.
Mae Kynsy yn deall rhamant unigryw unigrwydd. Mae’r rhyddid i ysgrifennu, trefnu a chynhyrchu ei cherddoriaeth wedi rhoi synnwyr o reolaeth a hunangynhaliaeth i’r gantores sydd wedi ei galluogi i ganolbwyntio ar funudau pob cân. Mae’r artist o Ddulyn wedi datblygu ei rheolau cyfansoddi caneuon ei hun sydd wedi rhoi’r gallu iddi arbrofi, gwthio ei ffiniau ei hun ac osgoi cael ei rhoi mewn colomennod i unrhyw un genre. Mae ei cherddoriaeth yn symud o lurch metelaidd noson clwb nos Iggy Pop, oerfel rhewllyd St. Vincent i ddyfodoliaeth allbwn unigol Julian Casablancas.
Gan gymryd ei hawgrym gan gyfansoddwyr caneuon clasurol fel Irving Berlin yn ogystal â’r posau haniaethol o fewn geiriau David Byrne ac anghydbwysedd datgysylltiedig Damon Albarn, mae ffraethineb ysbeidiol i’w chyfansoddiad caneuon sy’n ei chanu oddi wrth ei chyfoedion dyfal. Mae ei danfoniad louche bron yn rakish yn gantores lolfa hanner blino'r byd, yn hanner soothsayer craff. Er nad oes unrhyw osgo eironig ar waith yma, mae didwylledd dwfn i'w geiriau sy'n cuddio'r dienyddiad-mai-diafol.
Cyrhaeddodd ei EP cyntaf yn 2021 ychydig fisoedd ar ôl iddi ymddangos yn yr NME 100 a ganmolodd yr EP fel, “dosbarth meistr o sianelu angst i ddiarfogi indie ar gyfer cenhedlaeth newydd.” Daeth sylw pellach gan The Irish Times; Y Quietus a gynhwysodd yr EP cyntaf fel cerddoriaeth newydd orau’r mis hwnnw; adolygiadau disglair gan bobl fel DIY, DORK a Clash, a alwodd ryddhad cyntaf Kynsy yn “amrwd a syfrdanol”.
